Tuesday, January 7, 2025

Billiken July 9, 1962 "Vehículos para Viajar a la Luna"

Billiken July 9, 1962 "Vehículos para Viajar a la Luna"
I don't remember where I got this - it was probably from an eBay auction (I don't own a copy of the magazine). It shows renderings of the Moon Suit and Moonmobile in a children-oriented publication, with images probably taken from the illustrations used in the SAE Paper An Integrated Moonmobile-Spacesuit Concept 610086 (1961.01.01) as this Billiken issue predates the same illustrations used in the October 1964 issue of Boys' Life.

This is the text I saved:

Vintage Space article of the Vehicles to trip on the Moon.

The article was published on the Argentine mag "Billiken" on 07/09/1962.

The article is in Spanish and has very interesting drawings in fulcolor (sic), like a space suites (sic) and exotic space cars.

The extension of the article is 4 (four) pages.

Condition:

The article is complete.
The mag has two pages cuts and some one missing.

Dimension:

Mag is 8,66" x 11,4"


All images, captions and content are Copyright © 1997-2023 John Eaton unless otherwise stated. If there are any comments or objections, please contact John Eaton, by clicking here.

Life Magazine May 21, 1951 "Camera Records Big B-36 Crash"

Life Magazine May 21, 1951 "Camera Records Big B-36 Crash" Cover

Life Magazine ran a piece with still shots of the B-36 that Hazard shot on his home movie camera. It was somewhat controversial as the camera was initially seized by the Feds but presumably released later.

Life Magazine May 21, 1951 "Camera Records Big B-36 Crash" Pages 40-41

Transcript:

Camera Records Big B-36 Crash

High, gusty winds swirled the dry earth into a stinging dust storm at Albuquerque, NM. on Sunday last week as one of the world's biggest Bombers roared low over the city and lumbered into its final approach for a landing at Kirtland Air Force Base. It was a B-36D, three hours out of Fort Worth with 25 aboard, Wheels down, it settled gently toward the ground. Suddenly the right wing dipped, and the right outboard propeller and jet engines near the wing tip struck the ground with a screeching crash, At full throttle the 10-engined plane bounced into the air, made a clumsy climbing turn to the right, fell off on one wing and smashed into the ground in a blast of orange flame and thick black smoke. In this wreckage 23 airmen lost their lives.

This whole quick tragedy, as it happened, was recorded step by step on film. Near the field lived Allyn Hazard (right), who had recently bought a movie camera. Hearing the roar of the big plane, he called a friend, jumped into a car and made the pictures shown above while the friend drove toward the field. He was winding his camera when the plane first struck and missed the first step of the accident. But his film will help the Air Force find the cause of the crash.

In five years of flying its huge and complicated long-distance giants, the Air Force has lost four other B-36, one only a few weeks ago when it was rammed by a fighter plane. The first three were lost from engine failure, pilot error on take-off and ice in a heavy storm. The probable reason for this one: the pilot misjudged his approach in the gusty wind, tried to pull up and go around again, was too late.

"HAP HAZARD, who shot the crash, is an engineer, inventor and a dianetics auditor.

Images sent to me by a retired researcher in Santa Fe working on a space archeology project back in 2019, Ross Deforest Sackett. My heartfelt "Thank you!" goes out to him for this and other contributions.

All images, captions and content are Copyright © 1997-2025 John Eaton unless otherwise stated. If there are any comments or objections, please contact John Eaton, by clicking here.

Monday, January 6, 2025

Boys Life Magazine, December 1966

Boys Life Magazine, December 1966 Cover
Bill Dunkerley (sans "Col.") writes about a Weightlessness experiment on pages 84-85. Since this article also has a moon suit in the illustration, I strongly suspect that the name is a pseudonym for Allyn Hazard. I did find a reference to a real Bill Dunkerley, an amateur radio guy in Australia who managed to successfully command a satellite in 1970 so I could be wrong and it's the same guy who may have written the article for Boys' Life, but that may just be a coincidence.

In any case, this Boys' Life from 1966 discusses weightlessness and how to simulate it on Earth. The illustration on page 85 is a cutaway of the Moon Suit. The instructions have you basically build your own to simulate the suit.

This article was sent to me by a retired researcher in Santa Fe working on a space archeology project in 2019, Ross Deforest Sackett. My heartfelt "Thank you!" goes out to him for this and other contributions.

Boys Life Magazine, December 1966 Pages 84-85

Transcript:

SOMEDAY you may travel into space. But you don't have to wait until the future to experience the feeling of weightlessness. Engineers have developed methods to simulate the real thing. One of these is so simple you can reproduce the feeling right at home.

Your experiment will be more fun if you choose a real destination in space - such as the moon, where U.S. astronauts will make their first landing. There is another good reason for choosing a definite location in space for your new experience. Each destination you reach will vary in gravitational pull when you step from your spacecraft.

Next step is to weigh yourself. Multiply that amount by 16 percent (moon's gravitational pull is approximately one-sixth that of Earth). For example, take a weight of 120 pounds and multiply it by sixteen hundredths (.16). The moon-weight is approximately 19 pounds.

Now, to construct your counterweight. Its weight should be the difference between what you would weigh on the moon (19 pounds) and your Earth weight of 120 pounds. Subtract the smaller figure from the larger. The number of pounds for the counterweight in this instance will be 101 pounds. (Yours will differ with your actual weight.)

Construction of your counterweight should be in an out-of-the-way place and next to a wall or building where you can put up overhead pulleys. The size or shape of your counterweight is not important; only the poundage. There is no need to ever have your counterweight more than a foot or two above the ground.

Block bricks are good material. But any material will do - a sack of sand, a can of dirt, even a log the right size. Most important is to tie your materials securely; use a bowline. The counterweight should have good balance and not slip apart.

Now that you have fastened a long rope to the end of your counterweight, extend the other end of that rope through your two pulleys. These pulleys should be about three feet above your head. Also, arrange to have the counterweight located six feet or so from where you will conduct your weightlessness experiment.

You will want to erect a platform somewhat higher than where you plan to stand, to allow your counterweight to rest on the ground while you fasten the loose end of the rope under your arms. Wrap the rope; don't tie it. In this way you can secure the loose end in one hand and be able to step to the ground and easily lift your counterweight.

After you have experienced weightlessness for the surface gravity of the moon, you can add realism to this experiment by constructing a space suit. Start with a barrel or some other hard-shell container which is three or four times as large around as your body. Reinforce the top. Then cut two holes in the bottom for your legs. Support the torso of the suit by ropes fastened to your belt.

This suit can be made to look quite real. Use heavy cloth or fiberboard for legs and arms. Cut up an old tire to simulate heavy seams. Rubber boots will make good "space shoes." A headpiece can be fashioned from plywood with a complete "see-around" faceplate. Rig antennas on top the headpiece, also a small light. Your space suit will be large enough to hold batteries for your headlight and ground light. You can store food and water inside. Wire accessories into a central control panel which should be just below chin level inside your suit. Moon maps go flat upside down under your headpiece. To read maps, look up.

Now that you have made a space suit, add to your fun by walking around in it. You can do this in one of two ways: Construct a treadmill (see drawing), or improvise a "Moonmobile" by clamping two bicycles about three feet apart. Rig your counterweight so you can move it with you between the bicycles. Make a platform across the bikes to carry an assortment of weights. With an assortment of weights, several boys can adjust to their own counterweight needs. Or, you can make your own adjustments of the counterweight for visits to different places in the solar system.

To obtain this feeling of the difference in weightlessness on each of the planets, refigure (sic) your counterweight total in accordance with the table of figures. First, select a new destination to one of the planets. Then multiply your earth weight by the surface gravity percentage shown for that planet. By this method you will arrive at your new counterweight figure. Don't forget to include your moonsuit weight in the final calculations.

With an assortment of weights to change your counterweight you can interest your friends in weightlessness experiments. Choose a buddy. Astronauts always work in pairs. It is safer and more fun with two boys to each Moonmobile. With two moonsuits and two Moonmobiles a Scout troop can run a great variety of races, relays and games.

All images, captions and content are Copyright © 1997-2024 John Eaton unless otherwise stated. If there are any comments or objections, please contact John Eaton, by clicking here.

Allyn Hazzard's 1958 Proposed Moon Suit build

Dave Busch from RFP Post

Published by Dave Busch (user "ooteedee" on Jul 30, 2019 on the RFP "Create Your Fandom" site).

As a child I first saw it in a Time Life "Science Library" edition entitled "Man in Space". I always thought it would be fun to build it and then walk around town in it.

It was called The Lunar Exploration Suit - Model MK 1 (Space General Corporation) Designed by Allyn "Hap" Hazzard (sic there's only one "z" in Hazard's last name)

This thread is a basic documentation of its build. It took about 5 months. It's made of aluminum bicycle rims, aluminum stock rails, pvc plastic sheeting, 10" rubberized ducting hose, galvanized ventilation ducting reducers, rubber muck boots, rubber gloves, Radio Flyer metal snow saucer, plastic snow saucer, metal fire pit basin, clear plexiglass sheeting, misc pvc plumbing, a scientific lab instrument purchased from the MSU recycle center, magnetic-base radio antennae, semi-truck marker lights, and other found objects.

It has a fully lit interior and a 20 watt wireless sound system that can play a custom edited 1.5 hour multi-track environmental soundtrack - comprised of instrumental music, select Apollo mission radio chatter, ambiant sound effects and more. It's on youtube but I don't want to post the link here. It's not a video of the suit. Search youtube for "External Ambiant (sic) Soundtrack - MK-1 Integrated Moonsuit"

I also created a vintage replica CCA headset with working two way microphones - connected to a separate externally facing speaker.

An article about the suit and how I built it appeared in the Lansing City Pulse. Houston, do you copy?

The attached images represent the build and the reference material I used to estimate its dimensions.

I did not build it to coincide with the lunar landing anniversary.

The following paragraph is a nice summation of the original suit concept.

The Lunar Exploration Suit - Model MK 1
Space General Corporation
Designed by Allyn Hazzard

The Lunar Exploration Suit, Model MK 1 has been developed by Space General Corporation for travel across the surface of the moon. It resembles a shelter because it must carry its own life-support system wherever it goes. The basic suit assembly weighs 60 pounds on earth, 10 pounds on the moon. It will carry a two-week food supply weighing 30 pounds; a two-hour oxygen supply, 24 pounds; battery, 24 pounds; communication equipment, 12 pounds; reading and miscellaneous material, 12 pounds. With an 180- pound astronaut, this suit will total 342 earth- pounds and 57 moon-pounds.

Looking at this enormous suit from top to bottom, you see first a wide-domed headpiece with an identification light centered on top, V- shaped antennae, a built-in helmet camera and see-around faceplate that drops almost straight down to the shoulders to give the astronaut 360-degree vision. At collar height there is a bumper to protect the "windshield" and for another astronaut to grab in helping his buddy. At thigh level ground lights can be turned on. Boots are double-soled and vacuum-insulated.

The astronaut will maneuver the suit much like a small tank. As he walks, he will use his arms inside to help the shoulder harness support the suit. He will operate dials and knobs on the control panel below the windshield for his life-support functions, to control the suit's cooking facilities, tune his radio and operate electronic equipment. From his "dashboard" inside the suit, he will also be able to manipulate a ground-powered vehicle which will support him with additional oxygen and supplies during exploration. This "Moon mobile" is technically called the Lunar Exploration Vehicle (2 man) MK I. It has a 20-foot umbilical which delivers oxygen and power to the space suit. The astronaut may walk with the vehicle, or he may choose to ride. If he rides, he hooks himself onto one end of the Moon mobile with support trunnions located on each side of his space suit. A mechanism on the vehicle will lift him off the ground and carry him in an upright position at five miles an hour. Also, when supported by the vehicle, the astronaut can easily shift his weight much the same as in a lean-back chair. In this way he can tilt the suit horizontally for sleeping. It is padded down the back so as to be reasonably comfort- able under reduced lunar gravity. The multi-purpose support trunnions not only provide a means of support aboard the Moon mobile, but they can serve as a point of attachment for "flying belts." They can also be used to hoist this "detachable man-propelled cabin of a Moon-mobile" into the spaceship.

There are advantages to integrating the hard-shell space suit into the configuration of a vehicle such as a Moon mobile. If the astronaut must move away from his supply vehicle, the umbilical can be disconnected. Then the suit's self-contained oxygen and power supply will permit it to operate independently until the oxygen is used. In exploration missions this is important. When each crewman is contained within his own suit. the failure of one will not affect the others, In this way space clothing will provide each astronaut a better chance for survival.​

References:


The Build:

Dave Busch from RFP Post
Dave Busch from RFP Post
Dave Busch from RFP Post
Dave Busch from RFP Post
Dave Busch from RFP Post
Dave Busch from RFP Post
Dave Busch from RFP Post
Dave Busch from RFP Post
Dave Busch from RFP Post
Dave Busch from RFP Post
Dave Busch from RFP Post
Dave Busch from RFP Post
Dave Busch from RFP Post
Dave Busch from RFP Post
Dave Busch from RFP Post
Dave Busch from RFP Post
Dave Busch from RFP Post

Test Drive

Lansing CityPulse May 23, 2019

Houston, do you copy?

Astronaut suit replica marks 50th anniversary of moon landing
CityPulse May 23, 2019 "Houston, do you copy?"

Transcript:

By Lawrence Cosentino

If you are walking around in greater Lansing this summer and a man in a white tub beckons to you, waving rubbery arms and emitting bursts of static, don’t run away. It’s only Dave Busch, trying in his own way to communicate to you.

CityPulse May 23, 2019 "Houston, do you copy?"

His message: this summer marks the 50th anniversary of the first manned lunar expedition. Acknowledge.

Area space fanatics will surely mark this summer’s milestone in many ways, but Busch, 53, is a local singularity.

Last Thursday, he was nearing the end of four months of nights and weekends recreating a 1962 prototype of a lunar explorer’s suit in his workshop-barn east of Lansing. He lives in Perry and commutes daily to work in Old Town.

The MK-1 Integrated Moon Suit, or “man in a can,” made the cover of Life magazine and became a toy that’s now worth hundreds of dollars on eBay, but was never used by NASA.


This summer, Busch plans to don the suit and materialize wherever he gets the urge, at Lansing area festivals or just to liven up slow legislative days near the Capitol.

Well, maybe not too close. “I’m a little nervous about the security there,” he said.

A portrait of the suit’s designer, buzz-cutted engineer Allyn “Hap” Hazard, is reverently nailed to a pole in the barn that doubles as Busch’s workshop.

“If nobody else has built this suit, then only two people have — him and me,” Busch said. “And I don’t know of anyone else.”

Lunar convoy

Last week, Busch was hunkered down in the barn, fitting plastic sheets into the helmet visor as the moon suit hung silently on suspended dowels. A plastic chandelier hung overhead and a Mozart quintet played in the background. After months of work, the project was down to the visor and several other details, including the iconic number “3.”

Busch built model airplanes as a kid, but never anything like this. He remembers watching the Apollo 11 moon landing on TV 50 years ago.

“I was only 3, but I knew something important was happening,” he said.

He first saw the MK-1 moon suit in a book, “Man in Space,” from a set of Time-Life science books his parents collected. The suit also did a spectacular star turn on the cover of Life Magazine April 27, 1962, to accompany a speculative story on lunar exploration.

Hazard, an engineer at Space-General Corp. in the 1950s and ‘60s, looked beyond the proposed Apollo moon landings nearly 10 years before they became reality.

He imagined that man’s first small steps on the moon would be followed by real work: a 12-man convoy of cargo and passenger-carrying rockets, with civilian scientists in tow.

In Hazard’s vision, four explorers would live, eat, sleep and work in the suits as they did their work, with eight support personnel staying near the convoy ships.

While working on the suit, Busch has collected any snippets of information about it he could find, which isn’t much.

Hazard’s rocket convoy is shown parked near a picturesque lunar crevasse in a futurist period magazine published by the owner of Space-General Corp., Aerojet, in 1961. Moon-suited researchers wander the area, decked out in radiation–resistant “umbrellas.”

Busch left the cosmic parasols out, banking that he can get away without a radiation shield in Lansing.

The “man in a can” design looks silly now, but Hazard envisioned long journeys in the suits of up to 500 miles, followed by assist vehicles. The suits would enable the moonwalkers to slip their hands out of the sleeves, eat, sleep, scratch their noses or do whatever else they needed to do. Fully loaded, the suit weighed 350 pounds — only about 50 pounds in the Moon’s weak gravitational field.

Needless to say, NASA never used the design. By the time humans walked on the moon for the first time on July 20, 1969, it was only for two hours, in a much more maneuverable (but still bulky) spacesuit. The big lunar research convoys Hazard envisioned never came to pass.

The barrel suit became a curiosity, albeit a persistent one.

Professor John Lyman of UCLA and several of his experimental engineering students put the suit through a few amusing paces as part of a research project. A tongue-in-cheek spread in the August 6, 1961, issue of the Syracuse Post-Standard showed one student inside the suit, chasing a frightened co-ed. In another photo, he’s upended like a turtle, with his friends helping him get back up.

Major Matt Mason, a Mattel toy based on Hazard in his space suit, goes for hundreds of dollars on eBay.

Around 2000, Busch saw a piece of junk mail lying on his desk at work. A marketer’s steampunk-ish logo featured a familiar image: the man in the can.

“That triggered me,” he said. The image was still seared in his mind from the Time-Life book he pored over as a kid.

“I needed to build this.”

How he built it

CityPulse May 23, 2019 "Houston, do you copy?"

Busch compared his obsession over the suit to the UFO mania of Richard Dreyfuss in “Close Encounters of the Third Kind.”

In the film, Dreyfuss even sculpts his mashed potatoes into a mini-Devil’s Tower, where aliens planned to rendezvous with Earthlings.

One morning before work, Busch went to the Golden Harvest Restaurant in Old Town with a stack of reference photos. He didn’t order mashed potatoes, but he did bring a notebook and worked out a set of dimensions, using Hazard’s head as a reference point, over coffee. (Most heads are about 6 inches wide.)

Busch’s hands look pretty banged up. The bottom half of his left thumbnail is dark purple, owing to a blow from a slipped wrench.

“Oddly enough, construction has gone remarkably well,” he said.

The main body “can” is a 4-foot-by-8-foot sheet of heavy duty PVC plastic he bought at a sign shop on Lansing’s west side.

“They don’t usually sell plastic to people,” he said. “When I told them I’m building a space suit, they looked terrified, but they took my money.”

The sheet was relatively cheap at 50 bucks, but he didn’t want to go through more than one. The first cut had to be just the right size.

To his surprise, he found that “some online fanatic” created a template maker for various geometric solids, including the shape of the moon suit’s main shell — a truncated cone.

He plugged in the dimensions, took the resulting drawing to Kinko’s and blew it up to full scale. The resulting sheet of plastic was almost the perfect size.

He found a credible instrument panel at MSU Surplus that turns the view from inside the suit into straight-up science fiction. A real air pressure gauge is screwed into the hull nearby.

CityPulse May 23, 2019 "Houston, do you copy?"

“It’s stuck at zero, though,” Busch said. “If we were on the Moon, we’d be in trouble.”

The arms are made of heavy-duty, rubber coated flexible hose —stronger and more expensive than dryer vent hose, but worth it.

A small dryer vent serves as a vent near the wearer’s behind. Bright trailer lights illuminate the undercarriage.

Busch stole straps from his son’s book bag to go over his shoulders. A pair of black Kinco work gloves and old-fashioned rubber galoshes complete the ensemble.

The helmet is the literal, and figurative, topper. Aluminum bicycle wheel rims served as ideal rigid, lightweight frames to craft a spectacular headpiece. The slick, circular helmet is capped by a Radio Flyer sled, painted white. Magnetic antennas, for use on trucks, bristle on top, for a Sputnik-era flourish.

The suit has a few bells and whistles Hazard never thought of, such as a microphone and external speaker.

“I have a way to communicate with any people that I encounter,” Busch announced, getting into character early.

The speaker will also emit a carefully crafted mix of ambient music and sound effects, via a Bluetooth amplified speaker.

Busch hooked the sound system up as he fiddled with the suit last Thursday.

The barn hummed with a weird haze of NASA sound effects and chatter mixed with Trent Reznor’s ominous, groaning-metal score for the video game “Quake” and the floaty music of Floex (Czech composer Tomá Dvorák) from the game Samorost.

He worked at fitting a tubular PVC bumper around the base of the helmet.

“I don’t know what that was for,” Busch said. “Maybe some kind of umbilical.” For his purposes, the bumper adds approximately 4 percent more space weirdness.

As Busch battled the tubes, which kept popping out of place, the setting sun peeked through the slats of the barn, throwing tiny pools of light everywhere.

One of them rested on Allyn Hazard’s face.

“Look at that!” Busch said.

He took it as an omen. It was time to apply the number “3.”

Busch soaked the 18-inch “3” decal in water for a few minutes and applied it with the gentlest caress to the suit’s ventral surface.

“I’ve been waiting to do this since forever,” he said.

Busch is sure that his dad, an engineer who died in 2006, would have gotten a bang out of the project.

“He was the gentlest, most intelligent engineer and mathematician,” he said. “Anything I know about repairing anything, I learned from him.”

The number “3” was crooked by just a hair.

“It’s going to bother me. It’s going to bother me,” he intoned.

He somehow salvaged both layers of the decal without cracking it, moved it a few millimeters and pressed down again.

As he peeled the top layer away, the suit suddenly looked like the real thing.

“Hee-hee-hee-hee!” he cackled.

He pressed out the wrinkles with a yellow spatula adorned with a smiley face.

“Looks good,” he said quietly.

He’s not afraid of dings and dirt. On the contrary, the suit is likely to look even more realistic after a few expeditions to the mean streets of Lansing.

“Look at the Apollo suits,” he said. “Those things came back covered in dust.”

The last thing to go in will be the beer can holder.

John's Notes

  1. I reached out to the publisher of this thread back when it first became available online, I asked some questions but he seemed hesitant to engage with me.
  2. I get asked why I copy stuff like this if it's already been published online? Over the years I've found sites to be unreliable - this started when I'd post a link to a news article only to have the article move or be deleted. It's annoying. There's always Wayback Machine but it doesn't always get everything (the crawler seems to only go about three levels deep) and sometimes the articles were very ephemeral so they disappear before WBM's crawler can pick it up.
  3. Thus I started saving entire sites, originally all the code, images and files, locally so I can recover the info. This also became annoying as code standards changed (why all image files that had ampersands became error files). It's just easier to copy all the content and create a local copy.

All images, captions and content are Copyright © 1997-2025 John Eaton unless otherwise stated. If there are any comments or objections, please contact John Eaton, by clicking here.

Sunday, January 5, 2025

Reading Eagle 27 November 1960 "Building of 'Moonmobile' Is Problem for Scientists by Ralph Dighton (AP)

Reading Eagle 27 November 1960 "Building of 'Moonmobile' Is Problem for Scientists by Ralph Dighton (AP) Full Page

Interesting article published in the Reading (PA) Eagle on 1960.11.27 that discusses the challenges of designing a "Moonmobile" with contributions by Allyn B. Hazard, a member of the JPL team assigned the task.

Reading Eagle 27 November 1960 "Building of 'Moonmobile' Is Problem for Scientists by Ralph Dighton (AP) Article Detail

Transcript:

Building of 'Moonmobile' Is Problem for Scientists They Must Decide If Travel Will Be Over Lava or Sand

Editor's Note: Green cheese it's not, say the scientists. But they can't agree whether the moon is mountains of lava or oceans of sand. The disagreement is giving fits to the men trying to design a moonmobile, who know almost everything except what's most important: Will it need wheels claws?

By RALPH DIGHTON Associated Press Writer

When your ship lands on the moon, will you step out among knife-edged crags jutting from volcano-spawned miles of lava jungle?

Or onto gently sloping plains covered with talcum-fine dust into which you could sink like a rock dropped in fresh snow? 

Search for the answer - which probably lies somewhere between these two extremes - will cost government and industry millions of dollars in the next few years.

When the truth is finally known there will be some very red faces in scientific circles - those who guessed wrong about the kind of vehicles needed to explore the moon's surface.

Within the next year industry will be invited to bid on supplying "moonmobiles" to be carried in rockets already scheduled for launching.

The first moon jeeps will be unmanned, built to be operated by remote control from earth. They will carry a few instruments to give scientists a rough idea of what the moon is like. To a nation accustomed to 300- horsepower automobiles, they will be extremely crude, intended only to move a few hundred feet before their batteries wear out.

These are the basic specifications. Beyond that, the design is up to the individual scientists, and their ideas of the conditions the vehicles will have to overcome differ vastly.

Varied Suggestions

If the craters that pit the moon are extinct volcanoes, the lunar surface might well be fissured no-man's-land, a wave tossed sea turned magically into black stone. No vehicle with conventional wheels could travel far across this type of terrain, and even tractors would find hard going.

Serious study has been given to fat, balloon-like wheels, but no material has been found yet which would resist punctures and still remain flexible in the extremes of lunar temperature - from 210 above to 250 below zero.

Also under consideration are cars mounted on telescoping stilts which would shorten or lengthen hydraulically to adjust to uneven ground. These would be similar to a landing vehicle proposed by Dr. Jack Green of North American Aviation's aero-space laboratories in Los Angeles.

Dr. Green has spent months mapping the vast lava beds on California's Mojave Desert, hunting for "landing sites" like those he believes will confront moon expeditions.

From his studies of several such sites, he has come up with a three-legged vehicle equipped with clams (sic - probably clamps) to grab a foothold on any kind of terrain.

Green is one of those who is sure the moon is volcanic. He has even designed a machine using the heat of the sun to sweat water from pulverized lava.

One aero-space scientist conceives of a contraption like this to land a man on the moon. He suggested the machine, with telescoping stilts, after studying jagged California lava beds which he believes approximate the contours of the moon.

But suppose the lunar craters are not volcanic - that they were thrown up by meteorites splattering against the moon with a force they could never achieve through the earth's cushion of atmosphere?

In that case, the moon's surface would not be covered with lava but more probably with dust flaking down from the ringed peaks, eroded over millions of years by solar radiation and the impact of tiny particles from space.

Among those who lean toward this belief are scientists at the National Aeronautics and Space Administration's Jet Propulsion Laboratory in Pasadena, Calif.

In the most detailed moon-travel study yet undertaken, three men have spent months collecting what they think are the best guesses on lunar surface conditions, and designing vehicles to overcome them.

Dr. William Pickering, director of JPL, says these are only preliminary studies and that the laboratory's present job is to develop the technology and the machines for unmanned exploration of the moon and the planets. Later, he says, other groups may use these technologies and machines for manned explorations.

JPL's upcoming Ranger moon rockets will carry instruments - among them an earthquake meter made by the seismological laboratory of California Institute of Technology which will determine whether there are volcanoes on the moon.

Until this proof is available, the JPL team is assuming the moon is covered not with lava but with dust.

Some earlier researchers have contended that because the moon has no atmosphere to pack the dust down, it would be soft and feather-fluffy. A vehicle landing on it might plunge down as much as a half mile before hitting hard ground. 

JPL's team, headed by section chief William Schimandle, believes the absence of air has created just the opposite condition. Air would tend to separate and fluff the dust particles, they say; the vacuum of lunar space would let the dust pack down hard.

The dust would fill crevices and any boulders would be buried, they say, so most of the moon's surface must be a flat, hard-packed plain something like the salt flats in Utah. 

What about the "jagged peaks" detected in photographs of the moon?

One scientist's conception of a moon expedition features ships which would land tail down on adjustable legs. The object in the foreground is a man in a space suit, protected from the searing sun by a sort of umbrella and shower curtain. The big problem: determining the texture and contours of the moon's surface and designing a vehicle that could land on it. (AP Newsfeatures Photos)

The best photos, says Schimandle, were taken when the sun was rising or setting. "The resulting shadows have exaggerated lunar contours so greatly that we tend to liken them to the only things comparable on earth-volcanic craters."

Using a recent photograph of the moon, Schimandle points to a great plain called the Mare Imbrium - the right eye of the man in the moon. Rising like a hound's tooth from this plain is a lone "peak" called Mt. Piton which throws a long shadow. 

Shadow Seen as Moutain (sic)

Measurements of this shadow, he says, show that the "peak" actually is a mountain gradually sloping upward over a distance of 13 miles to a height of 7,000 feet. The top is so nearly level that it is difficult to determine the highest point.

Anticipating gentle slopes and hard-packed dust, the JPL team has designed for the first landings a three-wheeled buggy something like the earliest automobiles. They don't plan to build the buggy -"our purpose is to collect data so we can tell industry what we want when the time comes," says Schimandle. 

The buggy has steel-rimmed aluminum wheels six feet in diameter to enable it to cross any small cracks that may remain in the moon's surface. Electric motors will turn the wheels at very slow speeds - 2 to 5 miles an hour.

"It won't need much power because the slopes will be gentle," says team member Allyn Hazard, "and we certainly won't want it to go very fast because of the time lag between the vehicle and the remote operator. 

"The buggy will carry rudimentary television and radar and we figure it will take 1.3 seconds for these signals to reach earth. It will take six-tenths of a second at least for the operator to decide whether to stop the vehicle in front of an obstacle or to go around it. Another 1.3 seconds will be needed to transmit his decision back to the vehicle a total of almost three seconds.

"In three seconds, a vehicle going five miles an hour will travel 22 feet. It could be wrecked before we could stop it. We may have to develop a radar device that will cut off the motor whenever an obstacle looms, thus giving the operator time to catch up with the machine."

Lights Will Be Needed 

The buggy will be equipped with lights because, Schimandle says, "man may have to be a nocturnal animal on the moon, coming out of his shelters only at night.

"We don't know what solar radiation, unfiltered by any atmosphere, will do to men or their equipment. But we believe that anyone venturing out in daylight will at least have to wear something like this:" 

He sketched a man in a spacesuit carrying an umbrella, from the rim of which hung a shower curtain. The umbrella and curtain were made of a thin film of aluminized plastic which, he said, would ward off up to 95 per cent of the sun's rays. 

"Even this may not be enough protection," he added.

"Don't laugh, but it may turn out that we will hope that the moon dust is soft-packed, so we can tunnel through it like moles, using it to shield us from both heat and cold. 

"If so, our three-wheel buggy will have to be shelved in favor of burrowing machines."


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